Return of the Space Bats and Random Thoughts about Storytelling

For those who like to read John Michael Greer’s blog The Archdruid Report, the Space Bats contest has become nearly a yearly ritual. The challenge that John gave his readers was to come up with plausible stories placed in the near or far future showing what life after Peak Oil might look like. Many (including myself) took up the gauntlet. As the readers of his blog tend to be well educated and thoughtful, the submissions have been coming fast and furious, leaving an embarrassment of riches in terms of literary efforts. The rules dictate that there must be no magic or deus ex machina ( which is what the term Space Bats refers to) that would save generations in the future from the consequences of our mistakes. Characters in the stories must deal each in his or her own way with what the world we left them can or cannot provide.

Last December the Archdruid once again issued his space bats challenge, this time asking for stories which don’t obsess over the process of collapse or cling to the cultural myth about the onward march of ‘progress’ which allegedly will lead us to our destiny somewhere out in the stars. Instead he wants stories that show neither progress nor collapse but simply life as it is likely to be; just people going about their lives under the constraints of the legacy we have left them, building homes, having families, quarrelling with their neighbors, etc.

I had already been in the process of writing a story when John laid out his latest guidelines and began tweaking it accordingly. The future world the new story is set in is basically the same future I portrayed in my original submission to the last Space Bats contest. I borrowed elements from the first story and reworked them, hopefully creating a more dynamic tale as the first was in the form of a letter being written to a friend. After I had the new story pretty much fleshed out, I found myself writing a second tale that’s a spinoff though the events in An Even Trade actually take place prior to the events of The Doctor Who Went Over the Mountain.

One element I created and was dying to put into the original story but couldn’t find a place for is Saint Appleseed. How an eccentric pioneer nurseryman, a practitioner of Swedenborgian , later a familiar American folktale figure, becomes transformed into a Santeria Saint is something I leave to the imaginations of my readers. Over the years there have been many American folktale characters; Davy Crockett, Paul Bunyan, John Henry; some fictitious, others real people with myths accreted to them. They often reflect something about their times. Davy Crockett embodied the efforts of settlers to ‘tame’ the wilderness that they saw. Another, the character Mike Fink, was a brawling, boasting river man who, as a product of the Ohio and Mississippi steamboat commerce of the nineteenth century, flourished briefly but as times changed eventually became largely forgotten except by folklorists. Others like George Washington, our first President, are better known to modern readers. As a significant historical figure Washington attracted any number of apocryphal stories such as the chopping of the cherry tree and tossing a dollar coin across the Potomac. Oddly enough Abraham Lincoln doesn’t seem to have attracted the kind of improbable stories one sees attached to Washington or Crockett. The tales attached to him are more mundane, even homespun. Time may well be a factor here. Leo Tolstoy wrote a moving assessment of the President’s character and gave an account of how Lincoln’s reputation had arrived at a remote location in the Caucasus Mountains and was already undergoing a mythologizing by the local people.

Much of the older tales are outgrowths of the European cultures that set root here over the past four centuries. The growing Latino population has brought their own folklore. La Llorona or El Chupacabra are legends both of ancient and recent origins working their way into American culture. Asian-Americans, African-Americans and Native Americans all have their own tales which have been added to the mix.

Many of the colorful figures we are familiar with, will probably vanish into the past as current cultures wither away or fragment to be replaced by new ones. Others will persist perhaps in a form no one today would recognize. Some of our beloved tales may endure into the future, others likely won’t. Commercial success is no guarantee of durability. The Lord Of The Rings is too large and complex a tale to enter into the pantheon of North American folklore. Harry Potter in spite of his current popularity will certainly be forgotten. But I do think future story tellers will entertain their audiences with the magical tale of how a young girl and her little dog were swept into a mysterious land over the rainbow by a tornado, where they had adventures, made friends with strange beings and battled a wicked witch. Dorothy resonates with us as Harry does not.

Abraham Lincoln and Thomas Edison, while not folkloric characters for Americans today may well become so in the future as people look back in nostalgia at times they perceive as somehow more noble or inventive than their own. As people struggle with environmental degradation, John Muir, the naturalist and advocate of preserving wilderness, might become a legendary character with a suite of folktales for listeners’ use to guide their own efforts in preserving what’s left. Johnny Appleseed may get refurbished as an agricultural figure representing a more sustainable way of farming. Paul Bunyan, a relatively modern folklore figure, may be reworked into a preserver of woodlands rather than a chopper of them.

On a darker note, figures such as Satan and the AntiChrist may get commingled with more recent evildoers such as Hitler, Stalin or Pol Pot by future oral tale tellers becoming transformed into frightening beings people use to represent the darker side of themselves. Corporations might become bogeyman fabrications for threatening obstreperous children with to make them mind. Tales of nuclear weapons and their use will become tales of dreadful sorcery gone badly wrong.

Writers can speculate and write tales about what stories people of the future will consider important parts of their culture. Any future folklore will reflect the times and current concerns, as folklore has always done. The characters populating such tales will likely be famous people whose lives are recalled and embroidered on (Think King Arthur who started out as a minor warlord). They may be people we are familiar with, or people not yet born (depending on how far in the future your tale is set). Since there’s just no telling what stories and characters people will cling to in order to give their lives meaning and order as the downhill slide of current civilization speeds up, the only limiting factor is your imagination.


2 thoughts on “Return of the Space Bats and Random Thoughts about Storytelling”

  1. Found your blog through the link in ADR to your recent stories. Wonderful! – enjoyed them very much. Thank you. One question – in both Story 1 and Story 2, midwives (and midwifery) played important roles. Where did you get your knowledge of midwifery? This subject is close to my heart as my daughter has been apprenticing as a traditional midwife.

    1. I have no personal experience with midwifery. All that I know I have gotten by reading personal accounts of midwives and peoples’ experiences with them. The ‘child turning’ technique was something I read about years ago describing healing practices that traditional societies were still using at the time the article was written. It was used in Samoa by the midwives there. Whether they still practice this, I do not know but it seemed like such a sensible thing to do that I made it part of Ida’s repertoire.

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