The Saga Of the Cane Toad

cane toad

The cane toad, native to Central and South America, is a large warty toad, poisonous with big paratoid glands (the round spots located behind the eyes near the neck) which exude bufotoxin as a means of defense. They are prolific breeders, with a female often laying between 8000 to 25000 eggs embedded in long strings of jelly. Most of the tadpoles, which themselves are poisonous, usually die during the time they metamorphose to adults as this is the time when they lose their juvenile toxins and are defenseless until the adult paratoid glands develop. Their main enemies at this critical period are … well ….other young cane toads, who cheerfully devour their brethern.

Their voracious appetites and rapid reproduction caught the eyes of agriculturalists, hoping to find a ‘natural means’ of controlling crop pests. One place they were brought in, was Australia. In 1935, about a hundred toads were introduced, with the hopes they would have an impact on cane beetles, who were attacking sugar cane fields. Needless to say, things did not work out as was hoped.

One would think Australians would have learned their lesson with the debacle of the introduction of rabbits back in the nineteenth century.

rabbits in Australia

But evidently not. As with the European rabbit, with no natural enemies and an ideal environment, the toads did what their predecessors, the rabbits, did, which was reproduce like mad and spread like a bio-tsunami across the landscape. It’s hard to say what the Australians hate more now, rabbits or cane toads.

Efforts to control the exploding numbers of toads, now estimated to be 250,000,000, have been fruitless. The march of the toads seems relentless as they overrun not only ecosystems but human towns and cities, devouring anything smaller than themselves and poisoning inquisitive pets who lick or bite at them. Efforts to control them, ranging from introducing sterile males to compete with fertile males, using cane toad toxin to trigger cannibalism in tadpoles, or just bludgeoning the things to death with a hammer (illegal by the way) have born little fruit.

But a curious thing has been happening while humans have been pulling out their hair over their latest screw-up. It seems the local wildlife has begun a counter-offensive.

white ibis

Recently white ibises have been observed ‘playing’ with cane toads. The birds are often called ‘bin chickens’ by locals for their habit of foraging in trash cans. But this insulting nickname may get dropped in light of what’s happening. It turns out the birds weren’t playing, they were stressing the toads, forcing them to release their poison, then either wiping them on grass or rinsing them in a nearby water source. Then the ibises would eat the toads without ill effect.

And they are not the only ones who have stumbled on a way to devour the formerly inedible cane toad. A local species of crow has developed the simple expedient of flipping the toad on its back and tearing open the abdomen and eating the non-toxic internal organs. Rakali water rats have also mastered the trick of eating the toad without running afoul of its poison by using the same technique.

If this doesn’t heighten your respect for the intelligence of animals in figuring out how to do all this, then I don’t know what will. There must have been a hefty amount of experimentation, fueled by hunger, by the ibises, ravens and water rats, before hitting on the best method of getting a meal out of these unpleasant invaders. Bird brains indeed!

Food for thought, if you’ll pardon the expression.

Have a happy and peaceful New Year.

Saint Nicholas

Sugar and Spike

Having old comic books can serve as a doorway to old memories dating from childhood. You can’t get that from today’s magazines. Many comics nowadays are over-hyped, overly violent along with a generous dollop of overt sexuality. They are aimed at young adults rather than pre-adolescents as they often were when I was a child. Tied in with blockbuster movie franchises now, they are milked relentlessly for their money making capacities rather than fueling the fantasies of readers. Even the formerly innocuous Archie comics have developed a darker tone and the artwork has lost the charm of yesteryear, either the art looking amateurish or attempting to match the ‘realism’ of the major comics such as Marvel or DC. An advertisement splash for the Riverdale tv series on Netflix looks more like something for Children of The Corn, rather than the humorous teen-age hijinks of the fifties, sixties and seventies.

What a far cry from the bright, optimistic plotlines and artworks I can recall. Archie comics were always fun to read, not anything you needed worrying about getting nightmares from. Even DC and Marvel portrayed the heroes endlessly battling against villains and usually winning. If they didn’t win, all was not lost as you could count on a rematch between the good guys and the bad guys.

A favorite I can recall was an odd little comic series put out by DC comics, called Sugar and Spike.

Sugar and Spike babies

Written and drawn by Sheldon Mayer, it depicted the antics of a pair of toddlers name Sugar Plum and Cecil ‘Spike’ Wilson. When adults listened to the tots, all they heard was ‘Glx’ or ‘Blox’. But when Sugar and Spike spoke to each other or to other babies (both human and animal) they were perfectly articulate, speaking a baby language all their own. Sheldon modeled their mischief making on the behavior of his own toddler children, creating a delightfully clever off-kilter comic which was successfully published for many years.

Sheldon Mayer is also responsible for Superman being the well-known icon he is today.

Superman lifting a car

The story is that he came across Siegel and Shuster’s unsold Superman comic strip which delighted him enough, so he touted it towards his employer Max Gaines who finally took it up and got it published in the iconic Action #1 comic published in June 1938. The rest, naturally, is history.

Sheldon began illustrating Sugar and Spike in 1956 with the stipulation only he could write the stories and draw the mischievous toddlers, an arrangement that would never fly today in the present corporate environment. His quirky humor permeates the entire comic consistently throughout the series. He even signed his own artwork as can be seen in the corner of the lower right hand panel.

Sugar and Spike comic

Other characters were added, as time went on. Bernie the Brain, an infant super-genius, was one, allowing the kids an opportunity to play with his wacky inventions (and get into all sorts of trouble naturally), or provide explanations about the baffling behavior of the adults in their world. Their creator was consistently able to maintain the lighthearted plots without any loss of quality.

Sheldon continued producing his comics until cataracts forced him to stop for a time. By the time he had surgery to correct the issue, and resumed drawing, the industry had changed. While he continued drawing Sugar and Spike until his passing in 1991, these issues were published overseas, with only a few of the stories being reprinted in the USA. Arrgh! What a loss!

No one has been able to successfully replicate Sheldon’s work on Sugar and Spike, a product of his unique creativity and sense of humor. DC comics has recently produced an version of Sugar and Spike, showing them all grown up and running a very peculiar detective agency which “handles problems and mysteries that the superheroes can’t handle themselves”. Needless to say, all the original charm is gone, smothered under a distasteful layer of cynical edgy scripting.

I’ve long since read my few copies of the original Sugar and Spike to pieces many decades ago, so will be keeping an eye out at flea markets and yard sales in the hopes of acquiring back issues at a cheap price. These little gems are well worth the getting.

Hope you all had a happy Thanksgiving, or as Sugar and Spike would say; “Glyx, blox, snzx!”

Sugar and Spike trying to figure out Christmas tree

Patent Medicines

Vintage advertisements are always fun to look at, giving a window into the early world of consumerism. These advertisements offered solutions to all your problems, be it indigestion, graying hair, wrinkles, jangled nerves or other issues. The promises they made were often extravagant.

Vintage Hair Coloring Ad

Parker’s Hair Balsam would have you believe an aging codger can be transformed into a happy, youthful looking husband with children playing at his feet. Apparently it does more than just color the hair.

Some hucksters made use of Native American sounding names to give their product added veracity.

Patent Herbal Ointment

The front of this little vintage advertisement card lists many ailments treatable with this marvelous ointment. But if that doesn’t convince you, the reverse of the card gives a long list of ailments which most definitely can be relieved. If it’s sold by all druggists, it must be good!

Reverse of Ointment Card

I have to admit to a certain skepticism about sore throats responding to something slathered on your skin. Scurvy and rickets are nutritional disorders, but never mind that. All will be completely cured. Regrettably an Internet search revealed nothing about this product or what it might have contained, so there’s no way to tell if it actually had any virtue.

The next ad is a little more forthcoming.

Sarsaparilla Ad

Sarsaparilla rear of ad card

Here we get a breakdown of the helpful ingredients in this cure-all. Sarsaparilla contains antioxidants so is potentially useful as an anti-inflammatory. Stillingia, also a root, is an old folk remedy for bronchitis, hemorrhoids and syphilis. Yellow-dock has anti-inflammatory properties and was used in respiratory ailments, as a laxative and also STD infections. Mandrake root is reputed to have effects similar to the other ingredients but can cause dizziness and vomiting, if the dose is too large.

Iodide of Potassium could potentially help the thyroid while Iodide of Iron served as a catalyst. It sounds like the druggists tossed a little bit of everything into their concoction in the hopes of helping their ailing customers. It’s hard to say if this medicine really helped its users but it brought its creator James Cook Ayer considerable success. Advertising was key to his popularity and while he took a fair amount of criticism from competitors, he did quite well for a while.

If his medicines did little good, at least they likely didn’t do much harm either. Not so for other patent medicines which often had alcohol, cocaine or opium as their main ingredients. Especially chilling was the use of radioactive elements such as radium as a curative, which led to the gruesome death of Eben Byers. A noted golfer, the Tiger Woods of his time, he had suffered a painful injury and seeking treatment fell victim to Dr. Bailey, a Harvard dropout posing as a physician, who recommended Radithor, a nostrum laced with radium, which he was hawking as a cure-all. Unaware of the hazards of radiation, the unfortunate Mr Byers swallowed the concoction twice a day for three years until he began developing symptoms of weight loss and bone deterioration which led to the loss of his entire lower jaw and finally his early death.

It was this tragic case which strengthened the FDA’s powers allowing them to eliminate quack cures of this nature off the market and away from vulnerable customers.

As resource shortages plus inflation begin biting, home cures and medicines are starting to make a comeback. Along with their return is the risk of quack nostrums reappearing. One way to avoid mistakes of the past is to inform oneself on how your body functions and what works best for keeping you in good shape. An ounce of prevention is worth a pound of cure. If illness does crop up, knowledge of herbs and different therapies will help you distinguish between real healing and abject quackery.

And who knows. Perhaps those charming little advertisements of yesteryear will return, better vetted, touting genuinely helpful products.

Sulpher bitters advertisement

ISINGLASS AND OTHER FOODSTUFFS

The local recycling station as well as the local food coop both have shelves dedicated for books people can drop off or pick up if they want. It’s a good way to acquire a book free of charge to add to your collection or return to the discard shelf if it doesn’t pass muster. I have gotten a pretty good number of free books to add to my collection in this way. The latest one I picked up is titled The Curiosities Of Food or The Dainties and Delicacies of Different Nations Obtained from the Animal Kingdom by Peter Lund Simmonds. As can probably be surmised from the long title, this was a reprint of a book originally published in 1850.

The book makes for surprisingly droll reading. The author compiles an exhaustive list of all the different types of food; birds, reptiles, mammals, fish, mollusks and even insects from all over the world (as it was in his time) along with how they are cooked (or not). With a certain amount of dry humor he describes the preparation of certain dishes by locals and leaves it to you to decide if it’s actually something you want to try or not.

One anecdote he collected from someone who had gone to China described the unusual presentation of a covered dish, unusual because dishes were usually served uncovered at Chinese meals. The dish, when the lid was quickly removed, proved to contain dozens and dozens of live baby crabs which proceeded to make their escape while guests snatched them up and devoured them. The visiting gentleman was game enough to grab a few, pronouncing them ‘soft and gelatinous’ (but didn’t indicate if they tasted any good) but stopped when he got a painful claw pinch on his lip from the third. I’ll pass.

Baby crab

After coming across such disconcerting entries as how delicious Passenger Pigeons are and that South Africans occasionally dined on quagga steaks, I moved onto the section covering fish and came across a reference to isinglass. While I had heard the word before, I had just assumed it was some sort of glassware. Turns out, it’s actually a product made from fish.

Isinglass

Isinglass is a substance created from the dried swim bladders of fish. A form of collagen, it can be used as glue, but also as a clarifying agent in wine and beer. Once processed, it has no fishy flavor (which is why your beer doesn’t taste fishy) and has been used for thousands of years. In Roman times, it was used as an ingredient in patching up head wounds and street magicians would coat their feet with it before doing their fire-walking tricks. In the Middle Ages, it was used to help gold dust adhere to manuscripts being illuminated.

Vegans may wail about dried swim bladders from fish in their beer but there are alternatives, of course. Whether they are a tasty substitute or not, I’m not able to judge as I don’t drink. But that’s just a personal choice which has nothing to do with obsessing about possible animal bits in any of my food. In fact, if you read some of the information online, there’s actually not much of anything that’s totally free of insect contamination, especially with the vast amount of food processing done by agribusinesses. Read too much of this stuff and you’re likely to wind up not eating much of anything. Ignorance really is bliss in this case.

Still after reading Mr. Simmonds book, it’s apparent humans will eat pretty much anything that doesn’t eat them first. No matter what we pop into our mouths, adding extra flavor to our cuisine is important. Salt, herbs, spices, sauces, gravies get added in varying amounts to perk up a meal. In ancient Rome and around the Mediterranean, the flavoring of choice was something called garum. This is a fermented sauce made from fish parts. The production of the sauce was a reeky process, causing its makers to be banished to the edges of cities but once the sauce finished its fermentation process, its flavor became subtle and mild (and presumably not as reeky). Enthusiatically embraced by most Romans, it occupied much the same place in cookery that garlic does today.

garum sauce

Frankly I think I’ll pass on both but I’m probably just being fussy.

A condiment that my mother’s father was fond of was horseradish. He grew it himself and ground it up to serve as a little side dish for himself at dinnertime (no one else was willing to touch the stuff apparently). This turned out to be a recipe for disaster (of a minor sort). My grandmother was in the habit of serving mashed potatoes in a side dish as well instead of directly on the plate. One fine day my grandfather was lecturing the kids about something and eating mashed potato while he did so. My mother says at one point he mistakenly took a heaping spoonful of horseradish instead of potato. The kids all watched in fascination while he did this, no one shouting a warning to poor old Granddad. Of course, there was the inevitable explosion (*@#&, Why didn’t somebody say something?). I smell payback here somewhere, I think.

Horseradish root

That’s all for this month. Bon Appetit!

More Pencil Drawings

One of the challenges of artwork is illustrating the human face. One can always draw cartoons or caricatures but a natural looking face is much more challenging.

Sketch of human profile

The above sketch by me, based on a drawing from a tutorial book, is an example of chiaroscuro, a method of using contrast between light and dark to produce an image. It involves the use of shadows to create a realistic image, giving a two-dimensional face the illusion of depth. It’s not as easy as you might think. It took multiple tries before I got a drawing I was satisfied with.

What if you want to draw portraits? Especially recognizable ones? That’s definitely tricky. You need to have a good working knowledge of facial proportions. Many people think they know what a face looks like but when they try translating their ‘knowledge’ into an art work, they usually wind up creating something like this.

simple sketch

Not a bad drawing really, but how many people do you know who actually look like that? Carrie Stuart Parks in her excellent book The Secrets Of Drawing Realistic Faces points out that people often try drawing what they think they see, rather than what is actually there. A forensic artist doing composite drawings for police departments for identifying criminals, it’s important for her as an artist to produce an accurate image. She writes that people often try to draw what they think faces look like which doesn’t really match the image of the person they have in mind. To get a realistic portrait, you need to understand what the proportions of the face are and how to set it down on paper. Once you’ve mastered the basics then you can proceed on to the details.

Rendering parts of the face such as eyes, nose and mouth are where chiaroscuro comes in. In the drawing immediately above, the facial features are drawn in as lines but that not how a person’s face actually looks. Rather, what we do see is a combination of light and shadow. So, the above nose which looks like the letter U with two little knobs attached, winds up looking like this.

sketch of nose

The only lines I drew were for the nostril holes and the edges of the nostrils on either side. All else (except for the eyes) is shading. Here is where the blending stump and tortillons come into their own. By using the graphite from the nostrils, I used the stump to create the shadow of the nose itself as well as the shading on the tip of the nose. Still not quite perfect but a much more accurate rendition of a human nose. If you need extra graphite or charcoal, just take a piece of scrap paper and using a 4B or 6B pencil put down a layer to rub the blender or tortillon into for extra shading material.

The same with the mouth. A simple line with ‘commas’ making a smile become this.

pencil sketch of mouth

The only line I drew was the mouth itself where the lips meet. All else is shading. Again, not perfect as I made the upper lip darker than I intended but far more realistic.

Finally, the eye.

sketch of human eye

This is the trickiest one as you have to be careful not to overdo the eyelashes and make your model look like he’s wearing heavy duty mascara. The edges of the eyelids framing the eye are shaded in rather than drawn. The iris and pupil are drawn but you have to be careful to keep the upper and lower parts hidden so the eye doesn’t look like it’s popping in horror. Use a kneaded eraser to create the highlight in the pupil and iris to give the eye a more life-like appearance.

There are plenty of tutorials on YouTube for achieving realistic faces. So, grab your pencils, eraser and blending stumps and play around with it a bit. See you next month!

blending stumps