Developing characters – Simone

Bunchberry flowers

It’s challenging building characters for a novel, who are three dimensional, have realistic motivations and most importantly someone your readers will care about.

In the Age of Dionysus, I introduce the character Simone Smith.

…………….

Simone Smith stepped out of the taxi. The bright blue sign of Kilman’s restaurant hadn’t changed though they had altered much of the original brick facade to give it a more trendy look. After paying the driver, she walked over to the entrance. She could see her reflection in the glass, a slender brunette, her hair styled in a short bob. Dressed in a light blue jacket and matching pencil skirt, she looked the picture of health, though at one time it had been very different.

At once she saw Cleo Gallagher inside the door waving at her and smiled back. She hadn’t seen her wonderfully wacky New Age friend for nearly three years but the light brown bouffant hairdo was unmistakable. Her loud taste in clothing hadn’t changed either. She wore a retro look polka dot dress with chunky jewelry dangling around her neck and wrists. She quickly slide her heavily ringed hand around Simone’s arm.

“I’m so glad you were able to come. I managed to get a table reserved for us. I don’t know about you but I’m starving!”

Escorted by a waiter, they sat down at a place near the window. Simone was pleased to see the low key atmosphere hadn’t changed. No blaring televisions, only the sound of classical music quietly playing in the background. It was a light crowd with just a few children. Bright yellow gingham tablecloths added a cheerful look. As Simone took the menu the waiter handed her, she glanced up and saw Cleo smiling at her.

“Oh, my dear. You look absolutely wonderful. So what does this make? Two or three years cancer free?”

“Nearly three years now.” replied Simone. “The last tests came back negative and the oncologist said she couldn’t be more pleased. And so am I.”

“All the better reason to celebrate.” declared Cleo, picking up her own menu. “Are you still working for that idiot Peter Mitchell?”

“Well, yes. He’s still CEO at the consulting firm. And he’s really not that much of an idiot. A jerk, yes; but not an idiot.”

“I heard he just divorced that trophy wife of his, whats her name? Charlotte?”

“Yes and apparently he’s taken up with someone else, but I don’t know who. The rumor mill says it’s a friend of Charlotte’s but I can’t believe he’d be that dumb. Anyone who’s a witch like Charlotte would have friends just as bad as her. How can anyone as smart as him have such awful taste in women?”

“Oh, my dear Simone.” Laughed Cleo. “You wouldn’t believe how dumb some of the smartest men in the world are, especially when it comes to relationships. It’s a pretty safe bet he isn’t looking for a sterling character anyway, just someone who looks great hanging onto his arm.”

Simone rolled her eyes in agreement. The waiter returned for their orders. After he took their menus and went off with their requests, Cleo leaned towards Simone.

“I hate to ask this, but have you heard from Michael at all?”

“No.” Simone’s face tightened. “I haven’t heard from him in a few years and I don’t care if I never do again.”

“Oh, Lordy, I’m so sorry. I wish I hadn’t mentioned it.” Cleo’s face was stricken. “I was really hoping you two would eventually get back together but I guess my tarot cards were right.”

“No, that’s all right. The question would have come up eventually anyway. But it does still hurt. I guess I knew what was coming when he wouldn’t drive me to any of my appointments. Once I had the surgery, he was gone. Afraid of catching my cancer cooties, I guess.” Try as she might, she couldn’t keep the bitter note out of her voice. “My boss turned out to be the one who helped me through the whole process. I’m glad he did but it shouldn’t have fallen on him to have to do all that.”

“You’re still young, my dear. There’ll be other men. Have you started trying to date at all?”

“Well, I have gone out with Eric Stanford a few times.” A smile flickered across her face. “He knows about the cancer surgery and he does seem to like me a lot.”

“Eric…oh yes, I remember him. He’s a sergeant in the Army…”

“Colonel now.” laughed Simone. “He’s been moving up in the ranks pretty quickly.”

“Well, now, that sounds promising.”

“It does, but I can’t make up my mind about getting more serious with him. He’s been on three tours of duty already. I’d never know when he would get yanked out of my life by the Army and blown up by a roadside bomb in some God forsaken part of the world.”

“Honey, life is full of risks. You of all people should know that. But Eric sounds like a good bet to me. I know you don’t put much stock in my card reading but I could do one for you, or maybe a geomantic or horary chart.”

“No thanks. When I finally make up my mind, I don’t think the cards will have any affect on that. But what about you? Are you still going to set up shop in Queens?”

“Funny you should ask that.” Cleo’s face clouded with uncertainty. “I’ve been getting some funky readings both with the cards and my charts. They’re all saying its a bad idea at this time but I can’t figure out what the reasons are for it. I’m seeing some stuff I never saw before, like something big is coming, something really chaotic. I won’t bore you with the details but I’m going to have to talk to Mrs Tremblay. At 95 she’s seen just about everything. Maybe she can make some sense out of it.”

“Maybe something to do with those power black outs around the country? Right now they’re saying computer virus, but others are saying no.”

The waiter returned with their food and conversation slowed as they both began eating. Simone relished the baked potato, indulging herself with a dollop of sour cream. It was so nice to be able to enjoy food again without worrying about the nausea of chemo.

“I’ve been looking at the Tarot cards.” said Cleo between mouthfuls. “They say a great power is behind all this.”

“What do you mean? You mean like Russia or China? But I hear they’re having trouble too.”

“Not them. Someone or something else. The readings are funky just like when I ask if I should set up business in Queens. Nuts! I wish I could make more sense about this. But something strange is going on, that’s for sure.”

“Hmmph! Watch it turn out to be some dingy juvenile doing all that just because he can.”

Cleo laughed.

“It may just turn out to be that. I hope so. My readings are starting to scare me a little.”

“Let’s focus on our food.” replied Simone. “I rather enjoy the taste of my food rather than worry about something that may or may not happen.”

……………………………………………….

While the above passage doesn’t tell us about Simone’s childhood or family, we know she has been ill with cancer and is in remission. She is optimistic but still harbors bitter feelings towards an ex-boyfriend who deserted her during her illness. Her choice of friends is eclectic as she is shown renewing an old friendship with an eccentric New Age type of character. Simone herself has a practical outlook and prefers enjoying the little things rather than engage in wild speculations about current events (which are wilder than she realizes).

One thing we see is that while she is dating again, she is reluctant about committing. After having been burnt by a faithless boyfriend and blindsided by cancer, she is understandably hesitant about resuming her life, perhaps wondering if the rug is going to get snatched out from under her again.

As the novel unfolds, I will add more detail to her life and attitudes, and develop her as a sympathetic person a reader can identify with and root for. One major event in her life not mentioned here but will be later on is a tragic event early in her life where a deranged relative murdered her parents. This traumatic incident will also color her attitudes as the story progresses.

Next month, I will introduce another character who’s quite a bit different from Simone.

Yarrow flower

The Heroes

When writing, the portrayal of various characters can be a challenge. Whether they are villainous or heroic, you want them to be three dimensional. Even the best plot in the world can fall flat if the characters are insipid and two-dimensional. Heroes and villains must have believable motivations and personalities which clearly distinguish them from each other. I have found the hero or heroes of the stories to be the most problematic.

Superheroes are popular these days. Superman, Batman, Wonder Woman, Iron Man, the Avengers, Ant-Man, et al populate the movie screens these days and before that comic books. The appeal of these characters is not hard to understand. They’re easy to write, for one thing. Armed with either super powers or fantastic inventions, they do battle with evil and ensure justice is done.

Superman lifting a car

Comic book superheroes are a product of modern society but they’re really nothing new. Larger than life heroes have been a fixture in many cultures for thousands of years. Like present day superheroes, they were either gifted with extraordinary powers or armed with magic weapons.

Heracles (or Hercules as the Romans called him) was an early version of Superman. A son of Zeus sired with a mortal woman, he was gifted with enormous strength and fought with many monsters, defeating them all. So popular was this figure, he crops up in other cultures such as the hero Samson of Israel. In fact both of these characters may be based on the much older figure of Gilgamesh, ruler of Uruk, said to be of mixed divine and mortal ancestry (much as Heracles was).

Gilgamesh King of Uruk

Ancient heroes often battled monsters threatening humanity, or obtained some boon such as fire and an important food crop such as wheat or maize. Sometimes they would manifest as twin heroes such as Castor and Pollux, one mortal, the other semi-divine. Navajo stories speak of Slayer of Monsters and his twin Born for Water, who destroyed monsters who were depopulating the earth. The theme of twin heroes crops up even today in the original Star Wars trilogy, where it is revealed that Luke and Leia are actually twins.

Not all ancient heroes had super powers. Some, like the modern-day Batman, were simply gifted individuals with special weapons; King Arthur with the mystical sword Excalibur, the cap of invisibility given to Perseus when he went to kill Medusa, the staff of Moses used to swallow up the magic staffs of the Egyptian priests and part the Red Sea.

Parting of the Red Sea

Some heroes lived entirely by their wits. Odysseus, during the years he spent trying to return home after the Trojan war, relied on trickery to overwhelm the Cyclops attempting to devour him and his crew, and had his men block their ears with wax to keep them from hearing the alluring songs of the Sirens.

Odysseus and the Sirens

One thing many of these heroes have in common is their fallibility. Very few if any of them had it easy. Gilgamesh fell into a deep depression after the death of his friend Enkidu. Fearful of death himself, he went in search of the secret of eternal life only to have it slip through his fingers. Heracles was subject to occasional fits of madness actually killing some of his own children during one episode, while Odysseus’s arrogance often got him into as much trouble as it got him out. King Arthur sowed the seeds of his own destruction when he inadvertently begot Mordred on his own half sister, Morgan-le-fay. Perseus accidentally killed his own grandfather when throwing a discus at some funeral games.

It’s important to keep the above in mind when writing fictional heroes. Modern-day hero making writers sometimes forget to give their characters feet of clay, instead making them flawless, invincible and beloved by anyone who meets them. There is a term for these types of characters; a Mary Sue. Mary Sues tend to be female but can be male as well. Male and female Mary Sues are interpreted as a sign of amateurish writing although if you’ve watched recent movies and tv series, you’ve probably seen more than your share of Mary Sues. Of course ancient composers of legends and myths created their own share of Mary Sue types.

The temptation to make your hero so perfect they can triumph against anything is a strong one. But the heroes we remember best are the ones less than perfect, whose struggles against their own flaws mirror our own. So make your heroes bad tempered, overweight because they like sweets too much, awkward, depressed, traumatized, whatever it takes to make them live and breathe on the pages you write.

Greek Play Masks